Die Ölgemälde alles John Frederick Kensett


Choice ID Image  Painting (From A to Z)       Details 
72974 Catskill Waterfall  Catskill Waterfall   "Catskill Waterfall," oil on canvas, by the American painter John Frederick Kensett. 18 1/8 in. x 24 1/16 in. Yale University Art Gallery, John Hill Morgan, B.A. 1893, LL.B. 1896, M.A. (Hon.) 1929, Fund. Courtesy of Yale University, New Haven, Conn. cjr
74802 Catskill Waterfall  Catskill Waterfall   English: "Catskill Waterfall," oil on canvas, by the American painter John Frederick Kensett. 18 1/8 in. x 24 1/16 in. Yale University Art Gallery, John Hill Morgan, B.A. 1893, LL.B. 1896, M.A. (Hon.) 1929, Fund. Courtesy of Yale University, New Haven, Conn. Date 1859 cyf
69168 English Landscape  English Landscape   Medium oil on cardboard panel Dimensions 47 X 52.1 cm
71359 English Landscape  English Landscape   between 1843(1843) and 1845(1845) Oil on cardboard panel 47 x 52.1 cm (18.5 x 20.51 in)
72456 English Landscape  English Landscape   Date between 1843(1843) and 1845(1845) Medium Oil on cardboard panel Dimensions 47 X 52.1 cm (18.5 X 20.51 in) cyf
72969 Lake Champlain  Lake Champlain   "Lake Champlain," oil on canvas, by the American painter John Frederick Kensett. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn. cjr
74799 Lake Champlain  Lake Champlain   Lake Champlain," oil on canvas, by the American painter John Frederick Kensett. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A cyf
31694 Lake George  Lake George   mk75 1869 Huile sur toile 112x168.6cm
39078 Lake George  Lake George   mk140 1870 Oil on canvas 35.6x61.2cm
71558 Lake George  Lake George   ca. 1870(1870) Oil on canvas 35.6 x 61.2 cm (14.02 x 24.09 in)
72761 Lake George  Lake George   Date ca. 1870(1870) Medium Oil on canvas Dimensions 35.6 X 61.2 cm cyf
85553 Lake George  Lake George   Date c. 1860(1860) Medium Oil on canvas Dimensions 55.8 x 86.4 cm (22 x 34 in) cjr
74801 Rock Pool  Rock Pool   English: "Rock Pool, Bash-Bish Falls," oil on paper (glued to canvas), by the American painter John Frederick Kensett. Yale University Art Gallery, estate of James W. Fosburgh, B.A. 1933, M.A. 1935. Courtesy of Yale University, New Haven, Conn. Date 1865 cyf
72971 Rock Pool, Bash-Bish Falls  Rock Pool, Bash-Bish Falls   "Rock Pool, Bash-Bish Falls," oil on paper (glued to canvas), by the American painter John Frederick Kensett. Yale University Art Gallery, estate of James W. Fosburgh, B.A. 1933, M.A. 1935. Courtesy of Yale University, New Haven, Conn. cjr
45347 Shrewsbury River  Shrewsbury River   mk181 New Jersey 1859 Ol auf Leinwand 47x77.5cm
45348 Sonnenuntergang am Meer  Sonnenuntergang am Meer   mk181 1872 Ol auf Leinwand
85806 Trout Fisherman  Trout Fisherman   Date 1852(1852) Medium Oil on canvas Dimensions 49.5 x 40.6 cm (19.5 x 16 in) cjr
89988 Trout Fisherman  Trout Fisherman   1852(1852) Medium oil on canvas Dimensions 49.5 x 40.6 cm (19.5 x 16 in) cyf
90435 Trout Fisherman  Trout Fisherman   oil on canvas. 1852 cjr

John Frederick Kensett
American Hudson River School Painter, 1816-1872 He attended school at Cheshire Academy, and studied engraving with his immigrant father, Thomas Kensett, and later with his uncle, Alfred Dagget. He worked as engraver in the New Haven area until about 1838, after which he went to work as a bank note engraver in New York City. In 1840, along with Asher Durand and John William Casilear, Kensett traveled to Europe in order to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th century Dutch landscape painting. Kensett and Champney returned to the United States in 1847. After establishing his studio and settling in New York, Kensett traveled extensively throughout the Northeast and the Colorado Rockies as well as making several trips back to Europe. Kensett is best known for his landscape of upstate New York and New England and seascapes of coastal New Jersey, Long Island and New England. He is most closely associated with the so-called "second generation" of the Hudson River School. Along with Sanford Robinson Gifford, Fitz Hugh Lane, Jasper Francis Cropsey, Martin Johnson Heade and others, the works of the "Luminists," as they came to be known, were characterized by unselfconscious, nearly invisible brushstrokes used to convey the qualities and effects of atmospheric light. It could be considered the spiritual, if not stylistic, cousin to Impressionism. Such spiritualism stemmed from Transcendentalist philosophies of sublime nature and contemplation bringing one closer to a spiritual truth.



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